Room

Room is Jack's story. He's just turned five and lives with his mother in a single room. They are regularly visited by "Old Nick" at night and Jack has to sleep in the wardrobe while he's there. The reader is left to wonder who Nick is and why Jack's mother never takes her child outside, even though - for example - she is desperately in need of dental work. The impression I got was that "Ma", whose real name we never find out, was agoraphobic. It is only later in the book we realise that Jack's mother was abducted at nineteen, that she is now twenty-six and that Jack is her second child by Nick; her first, a daughter, was still born. Despite being related through the eyes of a very young boy and with only two characters in a limited environment, it is a testament to the author that I never once lost interest. The denouement really takes place once Jack and his mother are liberated from the room (and no - I'm not going to give away the details of their escape! You'll have to read the book...) and they both struggle to adapt to the outside world. There is an authorial nod to the intense media interest that follows their appearance but the emphasis is mostly psychological as Jack tries to reconcile himself to "outside", asking his mother "do you ever wish we were still in Room?" while his mother is desperate to put it all behind her and rebuild her life. This is a well thought out, intelligently and sensitively written novel that benefits from the first person narrative of an unusual protagonist whose naivety allows the author to explore difficult topics while maintaining the sympathy of the reader. 

Eat Well? Indeed I Did!

As a food critic, I'm probably not supposed to have favourites. I should be forever impartial, bestowing equal love on every cuisine, my palate an eternal home for taste in all its forms.

So here's my confession: I'm a sucker for a good Chinese! And my favourite one in north west London is the Eat Well in Eastcote. If you don't mind travelling out to zone 5, I think you'll find it well worth the trip.

One of the main reasons I love it there is because, for a set price, they will bring you exactly what you want - again and again. So it's an all-you-can-eat but there's no buffet; no food congealing under the heater while other people stick their noses in it. You get a menu and you choose what you want and they bring it - promptly and with a smile. And if you want it again, you order it again - at no extra cost.

Can you keep a secret?

Secret Daughter by Shilpi Somaya Gowda follows Kavita, a poor woman who lives in a village outside Mumbai in India with her family. With boys far more desirable children than girls, she is distraught after her first baby - a daughter - is taken away from her and - the reader understands implicitly - killed. So when Kavita falls pregnant again, she prays for a boy. But when her second daughter is born, she is determined that she will not suffer the same fate. Kavita travels to Mumbai when Usha (meaning "dawn") is three days old and leaves her in an orphanage, hoping that she will have a better life. Finally, Kavita has a son, who is named Vijay (which means "victory") and her husband dotes on him, which she quietly resents.

Next the reader is introduced to Somer - a Californian paediatrician who married her college sweetheart, Krishnan, an Indian man whose family is wealthy enough that he could study in America. He and Somer have been inseparable since but are devestated when they learn that she is unable to have children. After much soul-searching, they decide to adopt a baby from India.

The parallels between Kavita and Somer are evident even at this early stage in the book: both feel that they are not liing up to society's expectations of them - Kavita by having female children; and Somer by being unable conceive at all. When Somer visits Mumbai, she feels even more isolated and uncomfortable, just as Kavita does when she moves to the city.

Usha - whose name is distorted to Asha (which means "hope" - a lovely word play by the author) also feels like an outsider as she grows up in California, knowing she is adopted and different from her parents.

Determined to follow a journalistic career instead of the medical one her parents want for her, Asha moves to Mumbai for a year to work on a media project and get to know the Indian side of her family better. While there, she starts to appreciate the depth of poverty that exists in the slums of Mumbai and the life her parents saved her from. Although unable to find her birth parents, she learns to be at peace with her background and upbringing.

I thoroughly enjoyed the colourful descriptions of life in Mumbai and Indian culture; never having been, it was fascinating to read about and really inspired an unexpected desire to see it for myself.

The parallels between the women's lives continues although now we see the link between Kavita and Asha instead of Somer as Kavita's mother and Asha's grandfather both die and the reader follows the funeral ceremonies and mourning period of the mother and daughter.

The importance of women to the family unit is emphasised throughout the book - both Jasu, Kavita's husband, and Krishnan are lost without their wives and the longed-for son Vijay, turns out to be a disappointment to both Jasu and Kavita.

I'm not going to give away the ending but it is happily unsensationalist, erring on the side of realism, and all the more moving for that.

Secret Daughter is published by Harper Collins and has sold rights in 22 countries and been a bestseller in USA, Canada, Norway, Israel & Poland. Learn more at http://shilpigowda.com/